Bazine

基本解释

Tarkovsky's movie view is based on his image ontology that is different from both Sergei Eisenstein and Andre Bazin.
他的影像本体论思想既不同于爱森斯坦,也不同于巴赞。
There had been wide and deep studies on Bazin of the Chinese film circles for a long time.
长期以来，中国电影界对巴赞进行了广泛而深入的研究。
But it cannot strike Bazin"s status.And the long-shot technique isn"t the same as that of Bazin advocated.
这样的事实丝毫动摇不了巴赞的地位，并且这种长镜头也与巴赞主张的长镜头不甚相同。
The appendix describes long-shot technique independent developments in Chinese filmic practice before the influence of Bazin.
在附录部分，本文描述了在巴赞对中国电影产生影响之前，中国电影创作中已经出现的独立发展的长镜头手法。
The trend to a great extent has inherited and developed the neorealist spirit of Italian films and Bazin's cinematic concepts of realistic, ontology, asymptote of reality.
现实主义电影思潮在很大程度上继承并发展了巴赞的“写实主义电影观”、“影像本体论”与“现实渐近线”理论以及意大利新现实主义电影的精神。